Tag: #albumoftheday
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If you want to avoid a headache, you should probably avoid reading this review. You see, this is the most confusing — if not even slightly controversial — album Bon Jovi has ever released. First of all, Jon Bon Jovi and camp keep calling it a “fan album,” stating that their next album will be
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I could go on and on about how Melanie Martinez should have won her season on The Voice but I’ll simply say this: she was far too talented — as a unique *artist,* not just a singer — to win a show where the singers perform cover songs almost exclusively. At the time, I had
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The first time I heard Dead Lord from Sweden I was mighty perplexed. This was largely because they’re on Century Media Records, who typically release music that’s extremely heavy and entirely modern, two things you couldn’t exactly accuse Dead Lord of being. But by the time I finished listening to their new album, Heads Held
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For me, Chelsea Wolfe’s albums have always been more about an overall vibe than specific songs taken individually. I do prefer certain songs, yes, but within the context of her albums. They’re not songs I’d necessarily take and put on a playlist. (They don’t necessarily play well with other artists.) I have to be in the
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Scavenger Hunt is an excellent ’80’s retro-style Los Angeles-based band that was formed in August of 2013. Its members are Jill Lamoureux (vocals) Dan Mufson (bass and keys) Nick Annis (guitar) and Aaron Prather (drums and percussion). On their Facebook info page they list influences like the Back To The Future movies (1 & 2),
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Hollysiz is the playful moniker for French actress Cécile Cassel’s music career. My Name Is, is her debut album and it’s been gradually taking the world of pop by storm ever since it was first released in France during September of 2013. In fact, it did so well in France that they re-released it in
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If you were only a fan of “I Believe In A Thing Called Love,” the mega-hit single from Permission To Land, the debut album by The Darkness, then all I can say is that you’ve missed some incredible hard rock ‘n’ roll since then. To that end, their new album, Last of Our Kind, would
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Sweet California is a girl group hailing from Spain. Why they’re called Sweet California, then, I have no idea. And, you know what, they’re kind of everything you should hate about pop music. Which is to say that they’re super, super cheesy, way too bright and shiny, music aimed at tweens, etc. Also, their songs
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Way back in 1997 Natalie Imbruglia covered a song called “Torn” by a little known alternative group called Ednaswap and found herself propelled into global superstardom. It was from an album called Left of the Middle, one of the year’s highest selling releases. The record also spawned other hits, such as “Wishing I Was There”
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Recreational Love is The Bird And The Bee’s first album in five years, following 2010’s excellent covers album Interpreting The Master’s Volume 1: A Tribute To Daryl Hall and John Oates. During recent years, I’d started to become convinced that they would never do another album, largely because Greg Kurstin has become one of the
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Deathrite is one of those hybrid style bands that, on paper, shouldn’t work. Their unique sound blends elements of thrash, punk, death metal and grindcore in a way that is both invigorating and like a breath of fresh air. From the opening chords of Revelation of Chaos’ first track, “Melting Skies,” the album sinks its
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White Reaper’s White Reaper Does It Again is the debut full-length album by the band, which hails from Louisville, Kentucky. And it’s a wild, motherfucking, non-stop party from start to finish. It’s a turbo-charged blend of classic Buddy Holly-era rock ‘n’ roll and vintage Ramones punk rock with (maybe) a tiny dash of old school
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Ezra Furman is a restless warrior. He well-established this on his first two solo albums and with his late band the Harpoons. One has only ever needed to hear a few of his songs to realize that he’s a guy who can’t sit still, not even inside his head. He is always brimming with manic
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review by Barnaby Thornton Reviewing this album was no easy task. I tried to be smart. I tried to be a “music journalist”. I tried every analogy under the pale green sun; sick with responsibility as I wrote my way through reawakened volcanoes and uncaptured Polaroid with too much sweetener in my veins, yet not
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Once in a while a band comes along that’s so good you wonder how you ever lived without them. I remember feeling that way when I discovered Motley Crue and Guns ‘N’ Roses as a kid, or The Killers and Franz Ferdinand a decade ago. During more recent years, I stopped getting that feeling. I
