Tag: #albumoftheday
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Pixie Lott’s new EP kicks off with her new single of the same name, “Lay Me Down,” which, like “Nasty” before it, finds the singer back in full pop mode after taking a disappointing R&B detour on her second album, Young Foolish Happy, which was far inferior to her debut, Turn It Up. I really
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#9. Not many bands reach that number of albums. Even the best bands seem to break up or otherwise call it quits after number five or six. Not so with Chicago’s Novembers Doom, however. They’re a wicked beast that refuses to die, thrashing away at anything that gets in their way, thus painting their portraits
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Fozzy has a backstory almost as weird as Spinal Tap’s. The funny thing here, however, is that their backstory started out entirely fictional when they released their debut album nearly a decade and a half ago with the band saying they went to Japan with a record deal, destined to become huge rock stars, but
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The sophomore album is never an easy thing to tackle. Artists have their whole lives to come up with songs for their debut albums. But when it comes to making the second album, well, you might find it difficult to feel inspired if all you’ve done for the past year is tour nonstop. For Ed
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Chairlift vocalist Caroline Polachek isn’t an artist you can pin-down. Just when you think you know her, she goes and does something different, like this, her debut solo album, released under the pseudonym Ramona Lisa, a purposeful parody of Mona Lisa. But she was using pseudonyms to play secret shows and debut new material before
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Following two much beloved records on the indie label Wichita, Stay Gold is Klara and Johanna Söderberg’s first major label release. The album was recorded at Conor Oberst’s ARC Studios out in Omaha with Oberst’s Bright Eyes buddy Mike Mogis in the producer’s chair. He produced the band’s previously album, 2012’s The Lion’s Roar, the
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Rebecca & Fiona’s debut album, I Love You, Man, was as perfect as any pop debut could be. Astounding from start to finish, really. Compared to their new sophomore effort, Beauty is Pain, I Love You, Man is a bright and shiny sky with a double rainbow. And I suppose it always was, the ladies’
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“They wanted to make to make it ugly and bitter,” states the press release that arrived at our office (read: E-mail) with this one. And I’ll come right out and say it: they did exactly what they set out to do. Trap Them’s backstory: Ryan McKenney (former vocalist of Backstabbers Incorporated) and Brian Izzi (guitarist
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written by Barnaby Thornton When Brett Gleason opens his mouth, honey-tarred bullets fly out. A slow-fire of piercing lyrics wrapped in the syrupy shell of his beautifully rich baritone voice… On his debut album (self-titled), the Brooklyn-based singer continues to pair the blood and thunder of electronic rock, with more intimate piano-centric songwriting. Funded by
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I have to begin this by saying that it took some effort — I’m talking several listenings — before this album started to grow on me. I think it’s because I am so in love with her last album, Flesh Tone, and I wanted her to make another futuristic electro-pop album like that. So, when
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Kairos is the ancient Greek word for “the defining moment,” so it’s no surprise that Seattle’s Lena Simon has not only taken the word as her performing name but as the name of her new EP, which is, in fact, her defining moment du jour. What is a performing name? It’s what St. Vincent is
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I remember when The Black Crowes debut album Shake Your Money Maker came out in 1990. I was primarily listening to hair bands at the time, like most people. When Shake Your Money Maker came out it was like a breath of fresh air. The only other bands of the era that came close to
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War Eternal is the first album by death metal legends Arch Enemy to feature new vocalist Alissa White-Gluz, former vocalist of the Canadian band The Agonist. Angela Gossow, who joined the band in 2000, has stepped down from the spotlight in order to focus on being the band’s manager. Meanwhile, Chris Amott has presumably retired
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Metal fans here in the States have long wondered whatever happened to the amazing guitarist Marty Friedman. The short version? He was fluent in Japanese and wanted to crack the Japanese market, so after he left Megadeth he moved there and started releasing solo albums there, which were hugely successful. So much so that he
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Kate Miller-Heidke is a classically trained singer/songwriter hailing from Brisbane, Australia. That said, she’s been making a career for herself as an alt pop artist for the past fourteen years or so now. And while she’s had her share of major label record deals, at this point in her career she is proudly independent. Her
