Tag: review
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“Ibifornia” is the title track from Cassius’ first album in ten years, which will be released on June 24th; Ibifornia is an imaginary utopia that they have created on the album with lush, tropical melodies. A place “where the sun rises high and the horses run free,” as the song’s narrator says.
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Today’s #songoftheday is a new K-Pop diamond. Dig the ’90’s club-style beats, catchy bridge and absolutely contagious chorus. Perhaps it’s not quite as catchy as OutKast’s “Hey Ya,” but it sure comes close.
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Girls’ Generation’s Tiffany has finally gone solo. She’s still in GG, as well as the GG subunit Taetiseo, but now she has her first mini-album under her belt as well. Of course, this isn’t the first solo song we’ve heard from her, as she’s done ballads for soundtracks like Princes Ja Myung Go and Blood…
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To be honest, I do not think Panic! At The Disco’s latest album, Death Of A Bachelor, is nearly as good as the previous album, Too Weird To Live, Too Rare To Die!, but “Don’t Threaten Me With A Good Time” is one of the best songs on the record, if not the very best.…
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Aluna George’s latest, “My Blood,” is a slow-burning, steamy R&B masterpiece that will be perfect in a vampire movie someday soon.
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Vega, Vega, Vega — how do I begin to describe you? You’re a unique one, you, what with your mix of hard rock, classic rock, melodic rock, modern rock and hair metal. It’s as though you’re trying to appeal to every sort of rock audience all at once, to which end it would seem you’re…
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As you can hear above, Sarah Jaffe has done an exceptional cover of the Old 97’s “The New Kid.” The track, which sports some great upright bass, is from the benefit album Desperate Times. The project consists of artists such as Ben Kweller, Polyphonic Spree, Hayes Carll, The O’s and others covering Old 97’s tracks…
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If you like artsy, experimental pop then today’s #songoftheday should put a huge smile on your face. It delivers more sounds than one could possibly count, layers and layers of them, and it also shifts directions when you least expect it. A real artistic statement, not something even remotely aimed at the radio. All in…
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This is the first Ace Frehley and Paul Stanley collaboration in years. In over a decade, I believe. In any case, they still sound great together. More importantly, Ace can still fucking shred. His long solo here is fantastic. It’s no wonder there’s lots of smoke — the legend is on fire!
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You never know where you’ll find a good song. I went to Youtube to check out a video by a rapper a record label sent me the link for. Well, to be perfectly honest, it was rubbish. But then this one came on and immediately grabbed me. First, I was just impressed by Ruth B’s…