Tag: hard rock
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Buckcherry’s new album Warpaint isn’t out until March 8th, but they’ve already blessed us with the first single, a kick-ass rendition of Nine Inch Nails’ “Head Like A Hole,” which happens to be my all-time favorite Nine Inch Nails song. Meanwhile, Buckcherry is one of my favorite hard rock bands of all-time.
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Tony Harnell and Magnus Karlsson have done it again. “How Many More Goodbyes” is easily as brilliant as “Pure Evil,” the first single from their forthcoming album, Dysphoria.
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interview by Michael McCarthy photos by Joe Gorelick Red Dragon Cartel videos directed by Joe Gorelick If you were into heavy metal in the early ’90s, then chances are you were a fan of Lynch Mob, guitarist George Lynch’s post-Dokken band. Their debut album, Wicked Sensation, performed as well as a Dokken album and made…
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We’ve already featured this gem of a title track from Enuff Z’Nuff’s Diamond Boy album as a #songoftheday, but it now has a music video so we’re doing it again. Besides, we can’t get enuff of this tune. It’s like Chip and the gang unearth a long lost song co-written by John Lennon and Cheap…
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interview by Michael McCarthy You have just arrived at part two of my in-depth interview with Craig Goldy of Dream Child, a band that harkens back to his glory days as lead guitarist for Dio on the albums Dream Child, Magica and Waking the Dragon. During recent years, Craig has been the driving force behind…
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interview by Michael McCarthy Last Friday on August 24th, 2018, I had the opportunity to interview Craig Goldy, a guitarist extraordinaire who’s currently promoting his latest project, Dream Child. Goldy is perhaps best known as a guitarist for the late Ronnie James Dio, having played on the Dio albums Dream Evil (1987), Magica (2000) and…
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by Michael McCarthy all photos by Khoi Ton, Mohegan Sun, used with permission 16th, I had the pleasure of seeing The Rock ‘N’ Roll Express Tour – 3 Doors Down and Collective Soul – live at Mohegan Sun’s arena, which just so happens to be my favorite arena to see concerts at. As always, the venue…
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interview by Michael McCarthy One of the many reasons why I love Enuff Z’Nuff is that they’ve always been prolific. To the point that they’ve been able to release four back catalog albums over the years, bringing their total number of studio albums to 15 when you count their smokin’ hot new album Diamond Boy,…
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Today we have 3 “song of the day” selections. Laure Shang, Enuff Z’Nuff and Kat Cunning — all stellar selections perfect to end your week with!
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interview by Michael McCarthy I was sitting around bored one night, frustrated that I wasn’t finding anything that I was in the mood to listen to when I decided to check out some random albums being presented to me by publicists. It’s certainly not uncommon that I listen to things they send me, but I…
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Enuff Z’Nuff’s last album, Clowns Lounge, was basically an album of old demos with one new song, “Dog On A Bone.” The new song, which I thought was killer, featured bassist and founding member Chip Z’Nuff on vocal duties.
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by Michael McCarthy Yes, it may be hard to believe, but this is my fourth interview with Stryper frontman/co-lead guitarist Michael Sweet already. What can I say, he keeps putting out fantastic albums and I love to ask him questions about them. Between making records with Stryper, his solo projects and Sweet & Lynch, Michael…
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interview by Michael McCarthy I’ve heard lots of different things about BulletBoys frontman Marq Torien over the years. Whether it was people accusing him of having LSD (lead singer disease) or other things, it seemed like he had a larger than life personality. I was even a bit intimidated going into this one, afraid that…
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First, Stryper utilized a little death metal style vocals on “Take It It The Cross,” now they’re doing thrash riffs during the verses on their new single, “Sorry.” These are good things, though! I know some fans just want a To Hell with The Devil sequel, but I admire the guys for trying new things…
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This Friday, January 12, Black Rebel Motorcycle Club will be releasing their new album Wrong Creatures, which is their “journey throughout rock’s history, taking unlikely twists and turns, both peppered with historic influences but also having one foot firmly in the present.”








