Tag: 2014
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This song was posted on Youtube early last December, but there’s always so much going on in the music world that it’s impossible for us to check out everything. Alas, the band’s new album, Together We Shine, which “Stockholm” appears on, is being released March 21st, so now is actually the perfect time for us…
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“I’m gonna swing from the chandelier,” Sia sings enthusiastically during the massive chorus of her new single, “Chandelier,” which is without a doubt the best song she’s written during the past few years, which have seen her writing songs for a myriad of other artists with her solo career on pause. We’ll be the first…
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In lieu of a regular song of the day — hey, it’s Sunday, give us a break — we present the above sampler of Kylie Minogue’s new album. Enjoy. And don’t miss our track-by-track review of the album, now including coverage of the special edition bonus tracks: https://loveispop.com/reviews/kylie-minogue-kiss-me-once-a-track-by-track-review/
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We find everything Petite Meller does to be rather exquisite. She’s easily one of the most interesting quote unquote pop stars on the rise today. If you like Say Lou Lou or Foxes, you’d be wise to check her out. With some practically operatic vocals by Joe Fleisch, “Icebear” might not be Petite’s most accessible…
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Pop singer/songwriter Eemia is from the small town of Clitheroe in the North-West of England. When she was only 18 she moved to London and began working with various other writers and producers. In 2012 she performed at the Olympic Village, singing for the athletes throughout the Summer Olympics. She also worked as a background…
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What a lovely mid-tempo synth pop song. Very subtle verses and a downright gorgeous chorus. It has something of an ’80’s synth pop vibe, but we consider that a good thing. “I never wanna play along / If I double back to zero / I never would have played along / If I double back…
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sums it up perfectly. But, if you must know more, it’s very much in the vein of Tegan & Sara’s shiny latest album, Heartthrob, or Goldfrapp’s sultry pop, like on their Head First album. It begins with subtle guitar notes and dreamy, whispery vocals, more like Goldfrapp’s Seventh Tree, but once it hits the second…
