Author: Paris365
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Button:Pusher is the new double album project by Kiran Shahani of Bitter:Sweet and The Supreme Beings of Leisure fame. (The two albums are called Never Look Back and Cross My Heart.) If you’re not familiar with either of those groups, chances are you’ve still heard some of Kiran’s work. For one thing, he’s done the
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The Picturebooks is a German duo consisting of Fynn Claus Grabke [vocals, guitar] and Philipp “Maddin” Mirtschink [drums]. The two first met hanging out at a skate park and became fast friends, realizing they had more in common than skateboarding, especially their mutual adoration of motorcycles and bands like The Smiths, The Cure and Minor
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You don’t need us to tell you how brilliant Ingrid Michaelson is. You just don’t. Either you get it or you don’t.
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Well, well, well, what have we here? Or should we say what have we hear? Chances are you’re already listening to it, but we’re going to tell you anyway. It’s a funky, punchy and altogether groovy remix of Angus & Julia Stone’s “Grizzly Bear” by Lakechild. And it gives you a pretty good idea what…
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interview by Michael McCarthy Back in July of 2013, I gave a very positive review to the debut album by Starkill, Fires of Life, which was a perfect blend of the death and symphonic metal subgenres. Nightwish as performed by Dimmu Borgir, if you will. Well, those artists continue to be among the band’s influences
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Oh, Whinnie Williams, how can we count the ways we love you? Remember the first time you heard Lily Allen and it felt so magical and new? Or the first time you heard Ellie Goulding, perhaps? Well, Whinnie Williams’ Bad Girl EP is just as wonderful and exciting, primed to give you a rush like
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“She ate my heart / I love New York City,” sings Lenny Kravitz, oh so passionately, on “New York City,” one of the best cuts from his primo new album Strut. Roughly ten years ago on his Baptism record he did a tune called “California,” putting the golden state up on a pedestal, the song
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Sweet, sweet, sweet, holy mother of bliss! Damn, if “My Beat,” the debut single by husband and wife team Kenny and Laura Cash, is not the catchiest song we’ve heard all week!
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…And then Tokio Hotel went to the discotheque. Sort of anyway. The verses of “Love Who Loves You Back” are sheer synthy pop, but the chorus is entirely danceable and would even seem to be aimed at the clubs. It’s not EDM though. No, this is more like disco circa ’79, the cream of the…
