Category: Reviews
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The only Wiki page I could find on Kamin Shirahata was in Finnish and I must admit that I’m not familiar with her previous work, Kuuseki no Circus apparently being her fourth album, following last year’s self-titled album, her third, which was preceded by Kudamono (2014) and Randoserukaba no Yuke (2011). According to Google translate,…
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To be honest, I do not think Panic! At The Disco’s latest album, Death Of A Bachelor, is nearly as good as the previous album, Too Weird To Live, Too Rare To Die!, but “Don’t Threaten Me With A Good Time” is one of the best songs on the record, if not the very best.…
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Aluna George’s latest, “My Blood,” is a slow-burning, steamy R&B masterpiece that will be perfect in a vampire movie someday soon.
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interview by Michael McCarthy If you’re a fan of delicious indie pop then you should definitely read the following interview with Chase DeMaster, who sometimes goes by children of pop (he doesn’t capitalize it), such as on his new album: children of pop: What Does 69 Mean? It’s one hell of a catchy record, throwing…
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by Michael McCarthy In addition to well-established artists, I like to introduce our readers to promising new artists. Today we have an interview with Lyra, an enthusiastic singer/songwriter who got her start at the age of 6 when she began singing at her local church. She wasn’t just a church singer, though. Also at the…
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Vega, Vega, Vega — how do I begin to describe you? You’re a unique one, you, what with your mix of hard rock, classic rock, melodic rock, modern rock and hair metal. It’s as though you’re trying to appeal to every sort of rock audience all at once, to which end it would seem you’re…
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As you can hear above, Sarah Jaffe has done an exceptional cover of the Old 97’s “The New Kid.” The track, which sports some great upright bass, is from the benefit album Desperate Times. The project consists of artists such as Ben Kweller, Polyphonic Spree, Hayes Carll, The O’s and others covering Old 97’s tracks…
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If you like artsy, experimental pop then today’s #songoftheday should put a huge smile on your face. It delivers more sounds than one could possibly count, layers and layers of them, and it also shifts directions when you least expect it. A real artistic statement, not something even remotely aimed at the radio. All in…
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Have I mentioned how happy I am that Kerli is making electro-pop again? Her dance music was great, sure, but her lyrics and voice fit electronic soundscapes better than club beats. At least that’s my opinion.
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This is the first Ace Frehley and Paul Stanley collaboration in years. In over a decade, I believe. In any case, they still sound great together. More importantly, Ace can still fucking shred. His long solo here is fantastic. It’s no wonder there’s lots of smoke — the legend is on fire!