Tag: #albumoftheday
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A few months ago I caught Scott Weiland and his band, The Wildabouts, when they performed in the Wolf Den at Mohegan Sun Casino. And he was at the top of his game. He sounded fantastic, seemed to be enjoying himself and was full of energy. All of these things are also true about his
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“I let them dress me up in other people’s clothes / But you still don’t wanna know,” sings Juliana Hatfield during “Invisible,” the melodious opening track to The Juliana Hatfield Three’s sophomore release Whatever, My Love. The other two of the three are drummer Todd Philips, and bassist Dean Fisher. And if this album hasn’t
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“It’s all good with me if I know it’s all good with you,” sings The Wombats’ frontman Matthew Murphy during “Pink Lemonade,” just one of many fun songs from their infectious new album, Glitterbug. And, guess what, it’s all good to me! It’s hard to believe it’s only the band’s third full-length album, considering their
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Janine and The Mixtape, otherwise known as Janine Foster, started off playing open mic nights in her native Auckland when she was just 14 years old. It wasn’t long before she’d concocted her own unique blend of pop, soul and R&B. She released Dark Mind on her own label, Little Mixtapes Records, back in 2013,
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The Maine are five albums in now and they’re still living up to the title of their first: Can’t Stop, Won’t Stop. And while each of their albums has a different vibe, they still sound like The Maine we heard on their debut. How many bands today can you say that about, five albums and
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I’m not a huge fan of instrumental music. I can listen to it now and again but after a while it gets on my nerves. For me, the voice is the greatest of all instruments. That’s why I can listen to music in foreign languages that I don’t know — I can still appreciate a
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One of the things that made the blogosphere fall in love with Tinashe was undoubtedly that she released her music for free in the form of the album-length mixtapes Black Water, In Case We Die and Reverie. Of course, her talent is what made these mixtapes stick. So many people wouldn’t have been downloading them
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Natalie Prass is a singer/songwriter based out of Nashville who used to sing backing vocals for Jenny Lewis. Her album has already received heaps of praise from TIME, Pitchfork, Q and The Guardian, and that’s actually how I came to discover it. I read a few positive reviews and then I had to check it
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Well, naturally, since this is 2015, Kelly Clarkson’s seventh album, Piece By Piece, opens with, what else, the first single, “Heartbeat Song.” (I realize I’ve just used more commas than any sentence should ever have, but it was fun. You should try it sometime! You might lighten up enough to enjoy this album!) I’m slightly
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The Austin, Texas-based folk duo The Wind + The Wave are Dwight “The Wind” Baker and Patricia “The Wave” Lynn. They met in 2009 when Dwight’s wife forced him to stop hiding in the studio and get out of the house, prompting him to go check out a friend’s band. And Patty’s last band happened
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If you live in the UK then you probably already have an opinion about Clare Maguire. He debut album, Light After Dark, received very mixed reviews when it came out in 2011. Critics seemed to love it or hate it. And, of course, there were some who were wishy washy, publishing reviews that felt as
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Indiana, aka Lauren Henson, is a 27-year-old singer/songwriter hailing from Nottingham. The reason she goes by Indiana? Her father, who passed when she was 17, was a big fan of Indiana Jones. Although she’s hardly on the tip of everybody’s tongues here in the States, last year Indiana had a top 20 hit in the
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When Alissa White-Gluz left The Agonist to join Arch Enemy she claimed that fans knew it was “over,” which had to make one wonder about the future of The Agonist. After all, maybe Alissa knew something we didn’t, that their next album was going to suck. Plus, she left some mighty big shoes to fill,
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These days it’s not uncommon for artists to celebrate a major anniversary by re-recording their most popular songs. Often, though, the new versions pale in comparison to the original songs. The only reason half of these albums are made and released is to milk a few more bucks out of an artist’s die-hard fans who
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If I had heard Milo Greene’s 2012 debut, which is said to have been folk pop, then I probably wouldn’t like this album. At least that’s the impression I’ve arrived at after reading several reviews. The big complaint comes from people who loved the band’s first album, who are having a fit about Control not
