Category: Reviews

  • Morgoth’s “God Is Evil” 7″ and digital single is their first studio recording since 1996’s “Feel Sorry For The Fanatic” and, holy fuck, was it worth the wait. From the second the song opens, they unleash a cavalcade of spiky, blood-spilling riffs, brutal drums and scathing vocals. It’s a massive onslaught of evil, every second…

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  • “You don’t love me like I love you,” sings Whinnie Williams, her voice dripping with melancholy during this lovely, retro-tastic number. If you hear shades of Lily Allen and Nicola Roberts here, well, that’s no coincidence. You see, the track is produced by Future Cut, who’s recently worked with Lily, meanwhile Whinnie has written songs…

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  • Listening to this debut track by Laura Doggett — in collaboration with Sohn — for something like the eighth time in a row. Mesmerized by it. Such a haunting, emotive electronica track, it’s like St. Vincent meets ’90’s Bjork. A very good thing indeed. -Michael

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  • This video (click read more) is very, very NOT SAFE FOR WORK. (So much so that we had to spell it out.) It also may be triggering (extreme sex). To listen without the video, play it on Soundcloud below: “Give me what I want / It’s not only the victim / Who wears the scars,”…

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  • As you probably know, I recently reviewed Youngblood Hawke’s August 6th, 2014 show at Brighton Music Hall in Boston.  My review was wholly positive and I feel the same way about their debut album, Wake Up, which is, in fact, crammed with plenty of gorgeous anthems to rouse you.  Each of its songs are stimulating…

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  • Dances are an indie rock band that began in New York in 2011 by singer/guitarist Trevor Vaz. Initially a solo songwriting project, it turned into a collaborative trio in 2013 upon the addition of bassist/vocalist Sam Stoltje and drummer David Su. “Summer in the shade,” Vaz sings during “Doc Youth” and that’s exactly what the…

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  • To be perfectly honest, I’ve never been a fan of Godsmack. Back around the time of their debut album, I went to one of their shows because I was publishing a hair metal zine and their drummer was a guy who’d played in Lillian Axe. While I didn’t hate the show, to my hair band…

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  • I’d like to say that I discovered Caught A Ghost through my own music hunting efforts, that there’s some cool backstory about how I came to be aware of their existence. But the truth is simple and probably not very interesting: their publicist contacted me, asked me to review their upcoming show opening for Youngblood…

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  • At approximately 9 P.M. on August 6th, 2014 Youngblood Hawke took to the stage at Brighton Music Hall in Allston, Massachusetts — just outside of Boston — and made musical history. OK, so maybe they didn’t make musical history, but there is a whole lot of musical history wrapped up in the band’s bright and…

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  • The first thing you need to know about producer turned avant garde-ish beatsmith Saint is that he’s a genuine enigma. I’ve read his press releases and listened to his album several times, but I still can’t quite wrap my head around him. Perhaps that’s because his songs meld from one genre to another as his…

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  • We’ve loved LIGHTS from day one, since we bought her first EP something like six years ago. There are few people on this planet who make electro-pop and synth pop as catchy as she does.

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  • interview by Michael McCarthy Recently Century Media Records sent me Otherwise’s new record, Peace At All Costs. As I listened to it, loving every minute of it, I could not figure out just what genre or sub-genre of metal they were. I remember going to bed thinking I’d just call them post nu metal in…

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