Tag: electropop

  • Just earlier this week I found myself wondering whatever happened to Fischerspooner.  They were one of my favorite electronic music duos several years ago but they’ve been absent from the scene for quite a while now.  Well, it turns out they’ve been cooking up something good, which we’re getting our first taste of today with…

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  • If you took Phoenix, Hot Chip and Passion Pit and chopped them up in a blender then made a gorgeous painting out of them and that painting could play music, Mcbaise is exactly what it would sound like.  OK, so that’s a bit of a stretch, but those are the three bands I hear in Mcbaise’s…

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  • Adam Jensen has become a certified Spotify Sensation since we first started posting his songs — and interviewing him — here on Love is Pop.  His hit “The Mystic” has racked up 1 million streams already while a remix of his debut single “Sandcastles” has over 5 million.

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  • interview by Michael McCarthy Mystery Skulls, otherwise known as Luis Dubuc, was something of a mystery to me prior to reading the press release for his new album, One of Us. All I knew was that I loved the Mystery Skulls debut album, Forever. You see, I had no idea if Mystery Skulls was a…

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  • Well, kids, the dance-pop world has two new mascots to worship.  One of the guys — assuming they’re guys — wears a fox mask and the other one wears a human mask except that it looks like he’s a human from Gorrilaz.

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  • Elohim’s latest single, “Skinny Legs,” might strike you as an abstract, maybe even inaccessible, song the first few times you listen to it. I even wondered if it was too bizarre for me when it first wormed its way inside my ears. That said, I put it on one of my new singles playlists and…

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  • It’s Goldfrapp so, of course, it’s good. No, it’s better than good. It’s fan-fucking-tastic. Let its throbbing beats overcome you and move your body as the dancers do in the red hot video. Or at least getup and dance. It’s a sin to sit there and waste a good electro-pop masterpiece like this, ya know.…

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  • interview by Michael McCarthy One of the most bewitching albums I’ve heard all year is Rose & Thorn by British artist Wendy Bevan. Not merely a singer/songwriter/violinist, Wendy works in a variety media including film, visual imagery and intense, experiential artworks. To experience any of her work is to step into an alternate world where…

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  • review by Michael McCarthy all photos by Joshua Bernard Electronic producer/artist The Range – real name, James Hinton – opened the show, taking to the stage at 8:05 with “New Lots.” He delivered a high energy set of songs mostly taken from his recently released sophomore album Potential and its predescesor Nonfiction. Although he played…

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  • This past Tuesday night, October 11th, 2016, I was fortunate to catch the young woman who calls herself Elohim live. The mysterious singer/songwriter/electronic musician is currently out on tour with EDEN, but I’d had insomnia the night before and was too tired to stay and check out his set. I was admittedly unfamiliar with his…

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  • London-based producer/songwriter SchulKid will be releasing his debut EP, Physical Education, on July 30th. In the meantime, we’re tickled pink to premiere his new single and video, “La La Lave,” featuring the lovely I Am Harlequin. The EP’s previous single, “Love Like This” featuring Tara Priya, was critically acclaimed and followed the fetching singles “Wildest…

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  • Last month I was introduced to Brandyn Burnette’s music via his pensive single “Karma,” which already has 20k plays on Soundcloud alone. He categorizes his music as neo-soul, but to my ears “Karma” was sheer electro-pop bliss. In any case, I had to hear more after that taste and was lucky enough to get an…

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  • Musically, Phantogram dive deeper into the realm of mainstream pop with their infectious new single, “You Don’t Get Me High Anymore,” but they certainly have not lost their edgy. They might even be edgier. I suppose some will complain that it’s more pop than electropop or whatever, but I happen to think it’s awesome.

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  • We last heard from New Zealand’s Pip Brown when she released her 2012 album Anxiety, which was a solid pop record that featured a lot more guitars and considerably less synth and electronic sounds than her self-titled 2008 debut.  Unfortunately, many fans — and critics — complained about the change of direction.  On her new…

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