Category: electropop

  • review by Michael McCarthy Today’s #albumoftheday is Madonna’s criminally under-rated 2003 album American Life. Depending on when you ask me, it may be my favorite or second favorite Madonna album. It’s impossible to choose between American Life and Like A Virgin. I’m a big fan of electronic pop music, which is probably why I love…

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  • Today’s #albumoftheday is Ayumi Hamasaki’s 2002 masterpiece I am…, which is one of my favorite J-Pop albums of all time. I suppose I might also say that it’s one of my favorite J-Rock albums of all-time, too, since it’s arguably the most rock-flavored album in Ayumi’s extensive discography. Ayumi Hamasaki is one of the most…

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  • Television is the third album by the Italian sister duo Paola & Chiara. Their first album was pop rock and the second was more of a proper rock album, though a catchy and colorful one at that. However, Television is nothing like their first two records except for the fact that it’s the same two…

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  • by Michael McCarthy (Beaulieu) & Jay Cavalon First of all, I’m sure some of you will think that we’ve put some of these albums in the wrong categories. To that end, all we can say is that the best albums often transcend genre classifications and that this was what we came up with after careful…

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  • Garbage make their triumphant return with what is arguably their most pop song in years and it’s sweet and delicious. Sing it now: “the violator, destroy the violator!” Honestly, I couldn’t wrap my head around this song the first few times I heard it. It felt like a clumsy little bugger without a proper chorus.…

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  • Annie, Annie, Annie… Welcome back!

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  • interview by Michael McCarthy I’ve known singer/songwriter/painter Michael Rider for several years now. Their piano-centric indie pop blends irresistible pop hooks with thought-provoking lyrics that sometimes feel like poems and occasionally sound like journal entries, which I mean in the best way possible. Insightful is the first word to describe Michael that came to mind…

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  • “Lost my head inside this cell / I’m all alone / This place is hell,” sings alt-pop/electro-pop singer/songwriter Adam Jensen on his powerful new single, “Inmate 8576.” It’s the first new song we’ve heard from Mr. Jensen in quite some time and it turns out he has a good excuse for not releasing anything new…

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  • by Michael McCarthy Today, the 17th of January 2020, marks the release of alternative pop singer/songwriter Halsey’s highly-anticipated third album, Manic. The first single from the LP, “Without Me,” was released back in October 2018, so to say this album was a long time coming is an understatement. Granted, at the time “Without Me” was…

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  • review by Michael McCarthy Today I’m delighted to premiere Manhattan-based dream pop singer/songwriter Michael Rider’s new protest anthem, “Capital.” From its punchy main beat to its layers and layers of instrumentation and subtle vocal samples, which glide along under Rider’s lead vocals like a surfboard under his feet, its production is complex enough to make…

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  • \ Oh Land ( Nanna Øland Fabricius) and Arthur Moon (Lora-Faye Åshuvud), two artists we’ve interviewed this year, have collaborated on a new EP!

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  • Indie-pop, singer/songwriter Ingrid Michaelson has just released an exquisite new album called Stranger Songs on which every song is inspired by the Netflix series Stranger Things. The album came out just before the new season of Stranger Things started so a lot of the references were lost on me until I started watching the new…

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  • I am pleased to present you with the global premiere of her latest single, “Goddess,” which finds her once again in the world music vein as she calls on and portrays the Goddesses Athena, Venus, Diana, Inanna and Laxmi as she sings about feeling like a Goddess herself.

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  • interview by Michael McCarthy Danish singer-songwriter, multi-instrumentalist, producer and composer Nanna Øland Fabricius, better known by her stage name Oh Land, is about as brilliant a musician as they come. The funny thing is, she had no plans of making a career out of music. Although she was born the child of composer Bendt Fabricius…

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  • interview by Michael McCarthy “So much to say I’m lost for words,” sings Lamb’s lyricist and vocalist Lou Rhodes as the duo’s new album, The Secret of Letting Go, begins. The song is called “Phosphorous” and it consists largely of piano and strings behind Lou’s ethereal vocals. It has a haunting and intoxicating effect on…

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